{"id":4592,"date":"2025-04-06T21:36:07","date_gmt":"2025-04-06T21:36:07","guid":{"rendered":"https:\/\/xndre.com\/?p=4592"},"modified":"2025-06-01T22:27:36","modified_gmt":"2025-06-01T20:27:36","slug":"monochromasters-de-kooning-arranged-by-design","status":"publish","type":"post","link":"https:\/\/andrebrocatus.com\/art\/monochromasters-de-kooning-arranged-by-design","title":{"rendered":"Monochromasters de Kooning arranged by design"},"content":{"rendered":"\n

<\/p>\n\n\n\n


Rosy-fingered Dawn at Louse Point by Willem de Kooning was one of the Monochromasters I made for the first Monochromasters expo in 2020<\/a>. The painting is in the collection of the Stedelijk<\/a> in Amsterdam, and the museumshop there is selling A6 cards of it. I immediately bought several. <\/p>\n\n\n\n

Since I made the Excavated Colors <\/a>works, where the monochromaster version was exhibited next to the original art, I was wondering how the original monochromasters would look next to their original works. This collage is as close as I would guess I’d get. <\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"Monochromasters<\/figure>\n\n\n\n

<\/p>\n\n\n\n

I did not have enough Rosy-fingered Dawn at Louse Point by Willem de Kooning Monochromaster cards to use only those to fill in the A2 collage. So I chose other Monochromaster cards to complement, which had colors that seem related to different individual colors in the original painting. The whole collage becomes a question on the nature of colour, and authorship. <\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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